Speaking sand sculpture with the sand words
About Pon Elavenil poem’s
( Sand sculpture-poems by Pon Elavenil )
If I had my life to live over again, I would have made a rule to read some poetry and listen to some music at least once a week; for perhaps the parts of my brain now atrophied would have thus been kept active through use. The loss of these tastes is a loss of happiness. and may possibly be injurious to the intellect. and more probably to the moral character. By enfeebling the emotional part of our nature.
He was not unused to physical pain. he had endured a lot in his life and yet when saw his poetry collection’s of “manal sirpam” (sand sculpture) I assure the understood the love and affection that lay beneath these decisions, he was that kind of person, who come with accompany together his ever existence poems.
Pon Elavenil began to write encouraged and inspiration received from modern superior age of 90 th season poets. this concern with political history compels Elavenil to dwell on the notion of rewriting history, an Endeavour at a revisionist programmed that exposes the lie behind imperial sociologic.
Began of journey
Thus smooth feather’s area
Top in that thee joy and jump
Happiness lyric spread over and stun
Gone of beyond
The love, carved with safety
Bird gone along with their feather
Also bags broken lyrics
Who has been gather along with
The above poem describes, no man lives without jostling and being jostled; in all ways who has been to elbow himself through the society. Presenting and receiving offence.
The Poet, their debut collection of poetry “manl sirpam’ published in the current scenario. Who also bagged award of the Jayanthan Literary award for the one of the best poet for the year 2011.
The fall down faith feel clouds
The body felt on rest on
Ruin cessionary on my forest
As this late arrival
On my room
The unknown visible
Our animal as your instruction
Supervising any secrets
You and am thus not have
Any single spy
As well as rain’s that’s not rain
In an earnest search for realism thought the artistic portrayal of poem and myth, Elavenil stands as one of the important contemporary poets. The milieu of the poems resounds with disappointed dreams for more flourishing colorized world within the murky world of decadence, impoverishment and terrorism.
The moment one says dialect, one recalls the bhakthi period;13 th to 17 th century of the Tamil Poetry, when all major poets, many of them dalits. wrote in dialects rather than Sanskrit. The aim was subvert religious ritual and prove that Sanskrit was not needed to expound new philosophies; many poets use their native conservation more to accentuate the exoticism or ethnicity of their work. What differentiates Elavenil is not only the multiplicity of dialects used.
Crying electric fan
In all room
From this dark night
Everybody fuck and pussy
Or not cried them
In this tightened silence
In drain field well
As on entered moon
The same fallen
My self alone
Elavenil‘s vision is brief was the constructed image of every experience. emotions. and reflections I have exists with their poems within me. He interspersed it with other poets; who has never grown emotionally but one who questiond his own veracity at every step,equally conscious of his hypocritical intellectual snobbery, doormant infantilism and worldly wise inanipulative behaviour.
The response to a situation some times come from one sometimes the other component of the narrator, the language used a giving away his identy. While used a formal sentences in frequently which in calmly reflect in a routine life
Elavenil’s burnished poems makes this highly anticipated debut poem collection a satisfying need.
At a celebration
In a shadow path
Invisible slowly move
Register of secrecy
Leakage of ill bobble
Thousand of hands together with
Musical instruments all likes as mela
Shorted and bend softly stayed on
Depth secrets stand on
Another serious obstruction in our path is caused by our suffering and miseries almost every one with and which he wants to do on way with but he neglects the right means. He thinks fulfill ness of desires sentences to be the only way of well-known remedies in poetic sense.
The poetic soul likewise began to form its own crations now a stir in Elavenil sonnet poem, a motion which in unrest or disturbance was the main factor in bringing about the creation similarly for the tiny creation of life movement on comment life of the too, we also possess the force lf will which we apply to import power to the factors. Necessary for setting up this lyric creation.
People appear before us in the form of joy or sorrow, the comfort or misery the mind too, being constantly active creation within us linking for the one dislike for the other. the something happens in a work of art, time dost not flow ever onwards in a poem or a painting. In Robert frost’s poem the speaker is always stopping before the snowy woods. his little nose in always shaking his reins and the speaker always has to go on with his journey. He never aims anywhere as he have leaves from any where. To that poem, black not would say, is a threefold process. Read as under the poem..
They are carrying
Thus inner view
It is weight age
Non stop carring
They are having
House, relationship, forgiveness
Those inspired and widely
Known for their windows
There itself some paths
And non footstep
Than vehicle’s along their percussion
Back rooted term
Chillness on tap of roof
Little bit branches
And boiled leaves
Also black spy cat
All those things
Shampoorna well known
Pon Elavenil acquiring his work power in this book’s bearing 89 poem shown as wide visible inner of mind. Which in affectingly in other than vitality among readability. It is harmful impression done at on reading mind originally played by best of natural these always, basically every poem spoke about human ignorance, loses, Wag variety of past failure.
On these easy conclusive, the faith of kwon about humanity’s feature into brighten of feel and every moment is likely to may join with poems and life shed.
Site no 19
coimbatore-Tamil nadu- India